THE ART OF TRADITIONAL of specific INDONESIA AND FAMOUS TOURIST PLACE IN BALI: THE ART OF TRADITIONAL MUSIC INSTRUMENT of specific INDONESIA

Wednesday, September 1, 2010

THE ART OF TRADITIONAL MUSIC INSTRUMENT TRITON of specific INDONESIA

Triton is a traditional instrument of Papuans. Triton is played by blowing. This instrument is available at all beaches, especially in areas of Biak, Yapen, Waropen, Nabire, Wondama, as well as the islands of King Amat. Initially, the tool is only used for the means of communication or as a means of calling / marking. Furthermore, this tool is also used as a means of entertainment and traditional musical instruments. 4503

THE ART OF TRADITIONAL MUSIC INSTRUMENT TAMBO of specific INDONESIA

Tambo is a traditional musical instrument of Aceh. Tambo iboh made of sticks, cow leather, and rattan as a tool peregang skin. Similar shape and played drums with beated. In the past, legend serves as a communication tool to indicate the times of prayer or sembayang and to gather people to Meunasah to discuss ward issues. Today, the legend has been rarely used because of modern technology such as microphones.

THE ART OF TRADITIONAL MUSIC INSTRUMENT TALEMPONG of specific INDONESIA

Talempong is a typical percussion instruments Minangkabau ethnic group. The shape is almost the same as in the device bonang gamelan instruments. Talempong can be made of brass, but some are made of wood and stone. Currently Talempong of brass type is more widely used. This Talempong circular holes on the bottom while at the top there is a prominent traffic circle two inches in diameter as a place to hit. Talempong has a different tone. The sound generated from a pair of wood slapped on its surface.

Talempong usually used to accompany dance performances or welcoming, like a typical dish Dance, Dance Pasambahan, and Dance Waves. Talempong also used to sing the music to welcome a special guest. It takes foresight Talempong memainkanya pranada DO ladder starts with and ends with SI. Accompanied by a chord Talempong memainkanya way similar to playing the piano.

THE ART OF TRADITIONAL MUSIC INSTRUMENT SLANTHEM of specific INDONESIA

Slenthem is one of the gamelan instruments consisting of thin sheet metal width strung with rope and stretched across the tube-tube and produce a low hum or tone echoes that follow saron, ricik, and balungan when beaten. Some have called it as a gender penembung. Like the other instruments in a set of gamelan, slenthem certainly has a version and version pelog slendro. Wilahan Slenthem Pelog generally have a range of tones C to B, while slenthem slendro has wide range of tones C, D, E, G, A, C '.

how to play

Cara menabuh slenthem sama seperti menabuh balungan, ricik, ataupun saron. Tangan kanan mengayunkan pemukulnya dan tangan kiri melakukan "patet", yaitu menahan getaran yang terjadi pada lembaran logam. Dalam menabuh slenthem lebih dibutuhkan naluri atau perasaan si penabuh untuk menghasilkan gema ataupun bentuk dengungan yang baik. Pada notasi C, D, E, G misalnya, gema yang dihasilkan saat menabuh nada C harus hilang tepat saat nada D ditabuh, dan begitu seterusnya.
Untuk tempo penabuhan, cara yang digunakan sama seperti halnya bila menggunakan balungan, ricik, dan saron. Namun untuk keadaan tertentu misalnya demung imbal, maka slenthem dimainkan untuk mengisi kekosongan antara nada balungan yang ditabuh lambat dengan menabuh dua kali lipat ketukan balungan. Atau bisa juga pada kondisi slenthem harus menabuh setengah kali ada balungan karena balungan sedang ditabuh cepat, misalnya ketika gendhing Gangsaran pada adegan perangan.

THE ART OF TRADITIONAL MUSIC INSTRUMENT SASANDO of specific INDONESIA

Sasando is a stringed musical instrument. Musical instruments is derived from the island of Rote, East Nusa Tenggara. Literally Sasando name by origin he said in the language of Rote, sasandu, which means equipment that vibrates or rings. Sasando allegedly used in the community Rote since the 7th century. Sasando there are similar forms with other stringed instruments like guitar, violin and harp.

The main part of the long tubular sasando usually made of bamboo. Then in the middle, a circle from top to bottom are given lump-lump where the strings (the strings) that stretched across the tube, from top to the bottom rests. Lump-lump gives a different tone to each chord passages. Then this sasando tube placed in a container made from a kind of woven palm leaves made out like a fan. This is where the resonance container sasando

THE ART OF TRADITIONAL MUSIC INSTRUMENT SALUANG of specific INDONESIA

Saluang is a traditional musical instrument of Minangkabau, West Sumatra. Which wind instrument made of thin bamboo or gutters (Schizostachyum brachycladum Kurz). Minangkabau people believe that the best material to make saluang derived from the gutter to gutter clothesline fabric or found floating in a river. These tools include the musical instrument flute class, but more simple to make, simply by punching holes in the gutter with four holes. Saluang length approximately 40-60 cm, with a diameter of 3-4 cm. As for other uses of the gutter is the place to make lemang, one of Minangkabau traditional food.
Saluang legendary players named Idris Sutan Syamsimar Sati with the singer.
The virtues of the players are able to play this saluang saluang with blowing and breathed together, so that the blower saluang can play the instrument from the beginning of the end of the song without end. Breathing mode was developed with continuous exercise. This technique is also a technique called manyisiahkan angok (aside breath).

Each village in Minangkabau develop ways saluang blowing, so that each village has its own style. Examples of the style that is Singgalang, Pariaman, Solok Salayo, Koto Tuo, Suayan and Pauah. Style Singgalang considered quite difficult to be played by beginners, and usually Singgalang tone is played at the beginning of the song. Style is the saddest sound of Ratok Solok Solok area.
Formerly, this saluang khabarnya player has its own charms that is useful to hypnotize his audience. It was called Pitunang charms of David. Contents of the incantation was about: I malapehkan pitunang David, buruang Tabang tatagun-tagun, aia mailia tahanti-hanti, takajuik bidodari in sarugo mandanga buni saluang ambo, kununlah human hearing children ...... etc.

THE ART OF TRADITIONAL MUSIC INSTRUMENT REBANA of specific INDONESIA

Tom-tom drum is round and flat. Circular frame of wood is turned, with one hand to tap on a goat leather. Art in Malaysia, Brunei, Indonesia and Singapore, which often have a tambourine is a musical rhythm of the desert, for example, psaltery, and hadroh Qasida.

For the people of Pahang Malays in the country, playing tambourines very popular, especially among people around the Sungai Pahang. Tambourine clapping accompanies traditional songs like indong-indong, bird-kenek kenek, and Lemur-Lemur. In Malaysia, apart from regular-sized tambourine, there is also a big tambourine Rebana named Sweet, played on feast days to equalize the sound and rhythm.

THE ART OF TRADITIONAL MUSIC INSTRUMENT REBAB of specific INDONESIA

Rebab (Arabic: الرباب or رباب) is a stringed instrument that typically use two or three strings, this instrument is a musical instrument which comes from the Middle East and began to be used in Southeast Asia after the spread of influence from the Middle East.
Musical instruments that use a bow and have three or two pieces of rope from the strings of metal (copper) is his use jackfruit wood and hollow on the inside covered with dried cow skin as a loudspeaker.]

In gamelan

Dalam musik Sunda, alat ini juga digunakan sebagai pengiring gamelan, sebagai pelengkap untuk mengiringi sinden bernyanyi bersama-sama dengan kecapi dan suling. Dalam gamelan Jawa, fungsi rebab tidak hanya sebagai pelengkap untuk mengiringi nyanyian sindhen tetapi lebih berfungsi untuk menuntun arah lagu sindhen.

THE ART OF TRADITIONAL MUSIC INSTRUMENT PERERET PENGASIH-ASIH of specific INDONESIA

Pereret is an ancient musical instrument like a trumpet made from wood that is formed in such a way that it becomes a trumpet. Compassionate - compassion is in order - in order (pellets), while the spouse is eligible spouse as husband or wife.

This musical instrument made in many regions of Jembrana, Bali. This instrument is usually used to accompany the art Sewo Gati. How to use this Pereret is to blow out the equipment so the sound is very melodic and captivating.

THE ART OF TRADITIONAL MUSIC INSTRUMENT KOLINTANG of specific INDONESIA

Kolintang or kulintangadalah typical musical instrument Minahasa, North Sulawesi. Kolintang made of local wood is lightweight but strong like an egg, bandaran, detention, wood kakinik chrysolite, and which have a parallel fiber construction.
Kolintang name comes from her voice: Tong (low tone), ting (high tone) and pliers (normal tone). In the local language, call "Let's do TONG TANG Ting" is: "Mangemo kumolintang". Call it eventually turned into kolintang said.

Some well-known groups like Kadoodan, Tamporok, Mawenang already exist more than 35 tahun.Pembuat kolintang spread in Minahasa and on the island of Java, one of the makers of the famous Peter Kaseke kolintang

THE ART OF TRADITIONAL MUSIC INSTRUMENT KACAPI of specific INDONESIA

KacapiIndonesian From Wikipedia, the free encyclopediaPending changes appear on page iniBelum ReviewJump to: navigation, search
Kacapi is a Sundanese musical instrument that is played as the main instrument in the Sunda or Mamaos Tembang Kacapi Cianjuran and flute.
Kacapi in Sundanese word also refers to the Sentul plants, believed to be the wood used to make musical instruments Kacapi.

Kacapi Forms

Kacapi Parahu is a resonance box of the bottom hole resonances are given to allow the sound out. Kacapi sides of this type is formed in such a way that resembles a boat. In the past, this Kacapi made directly from the carved wooden slab.
Kacapi siter is a resonance box with parallel mean field. Similar to Kacapi Parahu, the hole is placed at the bottom. Top and bottom sides of trapezoidal shape.

For both types of these Kacapi, each string is attached to a small screw on the right side of the box. They can be tuned in a variety of systems: pelog, sorog / madenda, or salendro.
Currently, Kacapi resonance box made by gluing the sides of the six areas of the wood.

Function

According to its function in the accompanying music, played Kacapi as:

1. Kacapi Indung (= Kacapi parent); and
2. Child or Kacapi Kacapi Rincik

Kacapi Indung
Ovarian Kacapi music lead by giving an intro, bridges, and Interlude, also determines the tempo. For this purpose, use a large Kacapi with 18 or 20 strings.Kacapi rincik
Kacapi rincik enriching musical accompaniment by filling the space between the tones with higher frequencies, especially in the songs remain as in Kacapi bermetrum distilled or Panambih Sekar. For this purpose, use a smaller Kacapi with strings of numbers until the 15th.

THE ART OF TRADITIONAL MUSIC INSTRUMENT GENDRUM of specific INDONESIA

Gendrum is a hybrid instrument between drums and drums designed by Siswo Harsono in 1992. Musical instruments are usually applied in the arts Gambang Semarang and can also be applied in other arts such as Jaipongan, campursari, or dangdut. Gendrum jaipongan consists of a drum, a drum stick, two ketipung (panepak), two ketibung (ketipung large), a pair of bongo, cowbells, bass drum, cymbals and a set consisting of a ride, crash, splash, and china.

Gendrum is a set of percussion played by a player gendrum (gendrumer), and not by a group of percussion players. Percussion combination gendrum contained in the device is a unity of harmony that has been tuned according to need. Game techniques applied by Siswo Harsono called "slap campursari". Slap game ala Siswo campursari Harsono slap that combines diverse game jaipongan drums, bongo, drums and cymbals. This campursari slap applied by Siswo Harsono Gambang Semarang in the development of art done by the Faculty of Letters, Diponegoro University, Semarang.

THE ART OF TRADITIONAL MUSIC INSTRUMENT GENDANG KARO of specific INDONESIA

Karo drum or the drum dalinen five consists of five devices hit the drum a musical instrument (percussion) played by five musicians. The fifth device is one penaruné, two penggual, and two shy of the gong. Five drum ensemble music sedalanen called because it consists of five musical instruments, namely Sarune (aerofon), drum ovary (membranophone), drum children (mebranofon, corn, and penganak. But usually called a tambour five sedalanen, ranggutna sepulu two, namely the number twelve for the counting devices used in full, including sticks or other means of hitting the musical instruments.
If classified according to the musical ensemble, drum Karo actually consists of five drums and drum telu sedalanen sedalanen. Sedalanen telu drum is composed of three musical instruments being played simultaneously, which consists of kulcapi (Long Neck Lute) as bearers of melody, keteng-keteng (idiokordofon, tube-zhyter) as carrier rhythmic, and bowls mbentar (idiofon) as

THE ART OF TRADITIONAL MUSIC INSTRUMENT SARON of specific INDONESIA

Saron (or also called ricik) is one of the gamelan instruments including balungan family.
In one set of gamelan usually have four saron, and all have versions pelog and slendro. Saron produce a tone an octave higher than demung, with a smaller physical size. Hit the saron usually made of wood, with a shape like a hammer.From left-right; saron panerus, saron barung, and demung, from STSI Surakarta

There is the usual way menabuhnya appropriate tone, tone compensation, or beating alternately between one and the sawn sawn 2. Slow and fast hard penabuhan weak depending on the command of the drum and type gendhingnya. In gendhing Gangsaran describing the condition of war for example, ricik beaten with a hard and fast. In a nuanced piece Gati military, beaten ricik slow but hard. When accompanying the beaten track slowly.

THE ART OF TRADITIONAL MUSIC INSTRUMENT KENDANG of specific INDONESIA

Kendang, Khendang, or Gendang (drum) is an instrument in the Central Javanese gamelan is one of the main functions set the rhythm. This instrument was rung by hand, without tools bantu.Jenis small drum called ketipung, the medium is called drum ciblon / Chebar. Ketipung couples have one named drum gedhe Kalih commonly called drums. Kalih played drums on the song or piece of fine character like ketawang, gendhing kethuk Kalih, and ladrang dadi rhythm. Can also be played quickly on the opening track of launch, ladrang rhythm responsibility. To wayangan there's another one that is typical drums drums doormat.

Mostly drum gamelan played by professional players, who have long dive into Javanese culture. Most played drums in accordance pengendang instincts, so when played by people with one other person it will be different nuances.

THE ART OF TRADITIONAL MUSIC INSTRUMENT GONG of specific INDONESIA

Gong is a well-known percussion instruments in Southeast Asia and East Asia. Gong is used for traditional musical instruments. Currently there are not many crafters like this gong.
Gong which has been forged can not be determined tone. Gong tones new forms after rinsed and cleaned. If the tone is still not appropriate, so that the layer of bronze gongs scraped become thinner. In South Korea also called Kkwaenggwari. But kkwaenggwari made of brass-colored metal is played in a way supported by the five fingers and played with beated a short stick. How to use the five fingers holding kkwaenggwari has yet another special purpose, because one finger (index finger) can be used to dampen vibrations and reduce the gong ringing volume generated.

THE ART OF TRADITIONAL MUSIC INSTRUMENT DEMUG of specific INDONESIA

Demung adalah salah satu instrumen gamelan yang termasuk keluarga balungan.
Dalam satu set gamelan biasanya terdapat 2 demung, keduanya memiliki versi pelog dan slendro. Demung menghasilkan nada dengan oktaf terendah dalam keluarga balungan, dengan ukuran fisik yang lebih besar. Demung memiliki wilahan yang relatif lebih tipis namun lebih lebar daripada wilahan saron, sehingga nada yang dihasilkannya lebih rendah. Tabuh demung biasanya terbuat dari kayu, dengan bentuk seperti palu, lebih besar dan lebih berat daripada tabuh saron.
Cara menabuhnya ada yang biasa sesuai nada, nada yang imbal, atau menabuh bergantian antara demung 1 dan demung 2, menghasilkan jalinan nada yang bervariasi namun mengikuti pola tertentu. Cepat lambatnya dan keras lemahnya penabuhan tergantung pada komando dari kendang dan jenis gendhingnya. Pada gendhing Gangsaran yang menggambarkan kondisi peperangan misalnya, demung ditabuh dengan keras dan cepat. Pada gendhing Gati yang bernuansa militer, demung ditabuh lambat namun keras. Ketika mengiringi lagu ditabuh pelan. Ketika sedang dalam kondisi imbal, maka ditabuh cepat dan keras.

THE ART OF TRADITIONAL MUSIC INSTRUMENT GAMELAN of specific INDONESIA

Gamelan is a musical ensemble that usually highlight metallophone, xylophone, drums, and gongs. The term gamelan refers to the instrument / tool, which is a unified whole that embodied and pounded together. Gamelan word itself is derived from gamel Java language, which means hitting / beating, followed by a suffix that makes the noun. Gamelan orchestra there are many on the island of Java, Madura, Bali and Lombok in Indonesia in various ensemble sizes and shapes. In Bali and Lombok today, and in Java through the 18th century, the term gong is considered synonymous with gamelan.
Occurrences gamelan preceded by a Hindu-Buddhist culture that dominated Indonesia in the early days of recording history, which also represents the original Indonesian art. Instrument developed to shape up like this in the days of the Majapahit Kingdom. In contrast to the music of India, the only impact to India's in gamelan music is how menyanikannya. In Javanese mythology, the gamelan dicipatakan by Sang Hyang Guru in Saka Era, the god who controlled all the land of Java, with palaces on the mountain Mahendra in Medangkamulan (now Mount Lawu). Sang Hyang Guru first create the gong to summon the gods. For a more specific message and then create two gongs, and finally formed a set of gamelan. [Citation needed]
The description of the first ensemble musical instruments found at Candi Borobudur, Magelang, Central Java, which has stood since the 8th century. Musical instruments such as bamboo flute, chimes, drums in various sizes, harp, musical instruments and plucked strings are swiped, is found in these reliefs. However, little is found elements of metal musical instruments. However, relief of the instrument said to be the origin of the gamelan.
Gamelan orchestra tuning and making is a complex process. Gamelan tuning using four ways, namely slendro, pelog, "Degung" (special area of Sunda, or West Java), and "madenda" (also known as the diatonic, the same as the original minor scale that is widely used in Europe.
Gamelan music is the combined influence of foreign art diverse. Chinese regard the tone of the notes, the musical instruments of Southeast Asia, drum band and move to music from India, bowed strings from the Middle East region, Europe and even the military style that we hear on the traditional music of Java and Bali today.
The interaction component is loaded with melody, rhythm and color of the sound retain the Balinese gamelan orchestra music glory. The pillars of this music brings together a variety of Balinese rural community character that became the order of a typical music which is a part that can not be separated from everyday life.

THE ART OF TRADITIONAL MUSIC INSTRUMENT CALUNG of specific INDONESIA

Calung is a Sundanese musical instrument which is the prototype (prototype) of angklung. Unlike angklung played by digoyangkan, beating calung way is by hitting the bars (wilahan, blades) from sections (a bamboo tube) that is composed by titi barrel (scales) pentatonic (da-na-mi-ti-la) . Species of bamboo for the manufacture of most of awi calung Wulung (black bamboo), but some are made from awi temen (white bamboo).

Understanding calung other than as a musical instrument is also attached with the term performance art. There are two forms of the Sunda calung known, namely calung calung rantay and portable.

Calung rantay

Calung rantay deretkan bar in the jar with a leather strap hibiscus (lulub) from the largest to the smallest, in number 7 wilahan (7 bamboo) or more. The composition of the single row of tools exist and there is also a two-row (calung ovary and calung child / calung rincik). How to play calung rantay being hit with two hands while sitting bersilah, usually calung is tied to a tree or a cubicle house (calung rantay Banjaran-Bandung), have also made shelf "cradle" of special bamboo or wood, for example calung tarawangsa in Cibalong and Cipatujah , Tarlac, calung rantay in Banjaran and Baduy / Baduy.

Calung Jinjing

The rows of bamboo-shaped portable calung pitched blade held together with tiny bamboo (paniir). Calung tote comprising four or five fruits, such as calung kingking (consisting of 12 bamboo tubes), calung panepas (5 / 3 and 2 bamboo tubes), calung jongjrong (5 / 3 and 2 bamboo tubes), and calung bark (two tubes bamboo). Calung completeness in its development today there are only using calung kingking one fruit, two fruits and calung panempas barking one, without using the play mode calung jongjrong hit with a right hand wearing the bat, and left hand clutching / holding the instrument. While other inter menabuhnya techniques dimelodi, dikeleter, dikemprang, dikempyung, diraeh, dirincik, dirangkep (diracek), salancar, corkscrew and solorok.

Development

Type calung which is now growing and widely known: calung portable. Calung is a type of portable music devices that have long been known by the Sundanese people, eg in the Sundanese community in the area Sindang Heula - Brebes, Central Java, and could be the development of forms calung rantay. But in West Java, this art form was pioneered in popularity when the students at the University of Padjadjaran (UNPAD) incorporated in the Department of Arts Student Council (Institute for UNPAD arts) to develop this form of calung through his creativity in 1961. According to one of the pioneering, Ekik Barkah, that pengkemasan calung tote with her show was inspired by the form of games on the show that combines elements reog hit the drum, movement and song combined. Then in 1963 the form of the game and hit the drum calung more developed again by friends of the Theatre Studiklub Bandung (STB; Koswara Sumaamijaya et al), and between the years 1964 to 1965 calung more promoted again by friends in UNPAD as the character of performing arts entertainment and information (extension (Oman Suparman, he Ruchiyat, Eppi K., Enip Sukanda, Edi, Zahir, and friends), and group calung SMAN 4 Bandung (Abdurohman et al). Furthermore, emerging groups in the community calung Bandung, for example Layung Sari, Ria Buana, and Glamour (1970) and others, up to today's emerging players names calung idol among others Tajudin Nirwan, Odo, Uko Hendarto, Adang Cengos, and Hendarso.
Calung so rapid development of the arts in West Java, so there is the addition of several instruments in calung, for example kosrek, Kacapi, piul (violin) and some even complete with keyboard and guitar. Vocal element is very dominant, so many famous calung emerging vocalists, such as Cengos Adang, and Hendarso.

THE ART OF TRADITIONAL MUSIC INSTRUMENT BEDUG of specific INDONESIA

Bedug

Bedug is a musical instrument like a drum. Drum is a traditional musical instrument that has been used since thousands of years ago, which has a traditional function as a communication tool, both in political activities or religious rites. In Indonesia, a regular drum sounded for notification of times of prayer or worship. Drum made from a large piece of wood or palm trees along approximately one meter or more. The middle rod-shaped hole so the big tube. Tip of the stem from larger animals covered with skin that functions as a membrane or membrane of a drum. When beaten, drum heavy noise, pitched a typical, low, but can be heard up to a considerable distance.

History
Bedug actually originated from India and China. According to legend Cheng Ho from China, as when Admiral Cheng Ho came to Semarang, they were welcomed by the king of Java at the time. Then, when Cheng Ho to go, and wanted to give a gift, the king of Semarang said that he only wanted to listen to drum sounds from the mosque. Since then, the drum then become part of the mosque, in countries such as China, Korea and Japan, which positioned the drum in the temples as a religious ritual communication tool. In Indonesia, a regular drum sounded for prayer time notification mengani or worship. When Orba powerful drum ever issued from mosque and the mosque because it contains elements of non-Islamic. Drum was replaced by a loudspeaker. This was done by the Islamic modernists, but the NU to take the fight so far can be seen there are still many who defend the mosque drum.

Drum function

* Social Functions: drum serves as a communication tool or a marker for community activities, ranging from the worship, the marker of danger, until the landmark gathering of a komuntas.
* The function of aesthetics: the world's drum work in the development of creative, concepts, and culture of musical material.

Ways of making a simple drum
At first, goats or cows skinned. Commonly made of animal skin as raw materials, among others, goat skin drum, cow, buffalo, and bison. White cowhide has a better quality compared with brown cowhide. Because, a white cow skin, cow hide is thicker than chocolate, so that the resulting sound will be different as well, durability is lower. Then, the skin is soaked in water about 50-10 minutes detergents. Do not be too long to prevent damage. Then, the skin is dried in a way dipanteng (held) in order not to contract. When dry, measure the diameter of wood that has been painted and will be made drum. Seteleh completion is measured, the skin is attached to a wooden stump of wood that had been prepared. The process of unification with the animal skin made of wood with nails and some rigging.

Games Bedug (Art Ngadulag)
Ngadulag art from the region of West Java. Basically, the drum has the same function as described earlier. However, the drum beat in every area are different from other regions, making it unique. Thus was born the term "Ngadulag" which refers to a drum beating skills. Now the skills are beating the drum has become an independent art form that is art Ngadulag (drum game). Bojonglopang area, Sukabumi, ngadulag art has become a competition to get the best drum drummer. The competition is divided into two categories, namely the beauty and durability. The beauty of rhythm and emphasis drum beat rhythm, whereas resistance plays priority durability or how long the strength of beating the drum. The competition was participated by men and women. This is the art of the game beating the drum to evolve. Previously, the art equipment consists of beating the drum only drum, kohkol, and trumpet. But now the equipment had been progressing. Besides those mentioned above, are beating the drum now also equipped with musical instruments like guitars, keyboards, and cymbal.

The world's largest drum
The world's largest drum in the Masjid Darul Muttaqien, Purworejo. This is a great drum work of Muslims are commanded by the Duke of manufacture Tjokronagoro I, the first Regent Purworejo. Java was made in 1762 or 1834 AD And named Kyai Begelan. Size or specifications of this drum were: Length 292 cm, circumference 601 cm in front of, around the rear of 564 cm, 194 cm diameter of the front, rear of 180 cm in diameter. Part of the beaten drum is made from buffalo skin. Giant drum is designed as a "communication tool" to invite the congregation to hear as far away as possible through the drum beat as a sign of the times of prayer echoed the adzan.

THE ART OF TRADITIONAL of specific INDONESIA AND FAMOUS TOURIST PLACE IN BALI

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